Internationales Festival Zeichen der Nacht - Berlin - International Festival Signs of the Night |
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10. Internationales Festival Zeichen der Nacht / Berlin Edition
23th International Festival Signs of the Night / Worldwide
November 11 - 16, 2025
Kino & Bar in der Königsstadt - - - Straßburger Straße 55 - - - 10405 Berlin (Prenzelberg) |
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Berlin
Bar und Kino in der Königsstadt
Strassburger Str. 55
Friday
November 14th
18 h (6 pm)
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Marl |
Thomas Brand |
Netherlands / 2023 / 0:15:37 |
Marl seeks the deep inner caverns and that which breathes in the dark. A quiet journey to the heart of stone and the unexpected light that penetrates within. The veins of the rock, lost stones, the desolation and small life. Only to leave you there with an ever-changing perspective on this mysterious landscape.
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Malaz Usta |
Netherlands / 2024 / 0:11:00 |
Exiles are asked questions concerning their life, (plans), and reasons for (their choices). The film tries to communicate the feelings of the displaced when being confronted with such questions which are drawn from the director's memory. A parody of misinformation and of broken systems, and an exploration of feelings of confusion, loneliness, and uncertainty.
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Three Hundred Thousand Kilometers Per Second
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Clément Courcier |
France / 2024 / 0:16:19 |
A woman stands at her window, staring out into the summer night, when a luminous body enters and bursts into the atmosphere. Time is suspended, and the woman takes a journey through space and time, at three hundred thousand kilometres per second
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Guilherme Peters, Matias Mariani, Roberto Winter |
Brazil / 2025 / 0:13:00 |
The term Alignment Problem in artificial intelligence studies refers to the challenge of ensuring AI systems' goals and behaviors align with human values and intentions. In this experimental short film this concept serves as the through-line for an articulated dialogue between a male and a female entity: he, the creator, seeks to mold her, an embodiment of AI, to mirror his worldview and aims.
The directors will be preesent
for a Q/R |
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Karl Nussbaum |
United States / 2024 / 0:07:00 |
This is a 2 channel installation consisting of two separate films made by painting directly onto 35mm film and working with various chemical solvents. The two films are projected side by side and slightly out of sync, creating a type of 'visual stereo' as they make random juxtapositions. The soundtrack being slightly out of sync creates an echo, so as the audience moves around the installation the sound changes, creating an aural sense of the space.
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Eric Weeks |
United States / 2025 / 0:08:00 |
Hi, my name is Weegee. I am a dog. On my license, it says I am a cockapoo, but I don’t know what that means. My parents adopted me five years ago and named me Weegee, after the famous photographer. They always tell me that I channel him, because I am a character, and hold my toys in my mouth like a cigar, just like the original Weegee. That guy called himself "Weegee the Famous", but I want to be famous-er. My film furthers the understanding of the daily life of urban dogs. You will see through my eyes and my perspective. I am not sure how many humans understand how many tires we see on our daily walks. I sure do hope you like it.
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Jan Locus |
Belgium / 2025 / 0:06:06 |
In an elongated pan, mountain landscapes and misty images of animals are presented in an ethereal, ghostly way. Locus uses found footage black and white photographs of UFO observations from the 1950s and 60s. The UFOs are removed from these photos to seamlessly merge the remaining landscapes. Unforeseen animal death, often reported in UFO sightings, serves as a metaphor for human influence on nature. Intruders explores the boundary between science fiction and reality, investigating themes of reverse colonization, ecology, and human environmental impact.
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When There Won´t Even Be Any More
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Quand il n´y aura même plus |
Anthony C. Cajan |
France / 2024 / 0:04:45 |
It's about.
Of a man, of a panic.
Of a fury.
Of a war.
A fright.
But it may be something else.act
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